Review: Unnecessary 'Mufasa' shows the Lion King franchise to be running out of lives
Stephanie Hsu and Zosia Mamet on the antihero and 'sex board' that maps a mystery in 'Laid'
Guy Pearce never chased Hollywood. His power patron in 'The Brutalist' is the best revenge
Column: With 'The Six Triple Eight' and others, Netflix should embrace the power of the TV movie
In Netflix's 'The Piano Lesson,' two generations of Black Hollywood meet in the middle
Lady Gaga on Coachella, LG7 and the 'slightly subversive' 'Die With a Smile'
Review: Aardman's patented British drollery returns with top-notch 'Vengeance Most Fowl'
Ice sculptures and a prayer to Taylor Swift: Behind the scenes at 'Virgin River's' big wedding
